Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Berghe, Christoffel van den
Bouquet of Flowers on a Stone Ledge

ID: 10749

Berghe, Christoffel van den Bouquet of Flowers on a Stone Ledge
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Berghe, Christoffel van den Bouquet of Flowers on a Stone Ledge


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Berghe, Christoffel van den

Dutch, approx. 1590-1645  Related Paintings of Berghe, Christoffel van den :. | Christ in the Sepulchre with Two Angels | Portrait of Maria Theresia of Austria | Town of Oster Riisoer | Woman with Chysanthemums | Self-Portrait:The Painter in his Studio |
Related Artists:
Daniel van Heil
1604-1662 Flemish Daniel van Heil Galleries
Jan miel
Dutch Baroque Era Painter, ca.1599-1664 Flemish painter, active in Italy. Miel must have arrived in Rome in the early 1630s; he immediately came under the influence of Pieter van Laer (il Bamboccio) and the BAMBOCCIANTI. His earliest paintings of bambocciate (low-life scenes) are the Bowls Players (1633; Paris, Louvre) and its companion piece The Cobbler (Besan?on, Mus. B.-A. & Arch?ol.). Shortly after his arrival in Rome, Miel joined the Schildersbent, a confraternity of Netherlandish artists, and was given the nickname 'Bieco' ('threatening look'). His presence in Rome is documented from 1636 to 1658, when he moved to Turin and entered the service of Charles-Emanuel II, Duke of Savoy. Other early paintings that can be attributed to the 1630s include Halt at the Inn (Marseille, Mus. B.-A.) and Hunters' Rest (Warsaw, N. Mus.). Both are reworkings, in their subject-matter and composition, of contemporary paintings by van Laer, such as his Hunters Resting (Florence, Uffizi) and Halt at the Inn (Paris, Louvre).
Emily Carr
Canadian Expressionist Painter, 1871-1945 Canadian painter and writer. She studied art from 1891 to 1894 at the California School of Design in San Francisco. She lived in England from 1899 to 1904, studying at the Westminster School of Art in 1899, and settled in Vancouver on her return. Her stay in Paris in 1910-11, during which she had a painting shown at the Salon d'Automne in 1911, proved far more influential on her art, familiarizing her with Impressionism, with Post-Impressionism and with Fauvism.






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